It’s eminently more watchable than just about any other Asylum film, which is a large part of what made it such a phenomenon when it premiered on Syfy in the summer of 2013. It promises sharks propelled by tornados, delivers on that promise in the very first shot of the film, and then keeps on delivering. Unlike so many other creature features from the same studio, it’s not stingy in its premise. Most films from cheapo-cinema mavens The Asylum fall well short of “fun bad” and into the unfortunate realm of “bad bad,” but Sharknado is one of the rare few to rise above. The entire time you’re watching this feature-length commercial, you’ll simply be wondering where all that money could possibly have gone. The result is absolutely the most nightmarishly bad-looking film ever made for a budget of $45 million. The near-complete film had to be restarted all over again, the animation style was changed and extreme cost-saving measures were brought in. The reason you’ve probably never heard of it is because it was originally intended for release all the way back in 2003, before the hard drives containing all the animation were stolen. Also attached to this turd: Eva Longoria, Christopher Lloyd, Jerry Stiller and Chris Kattan, among others. Taking place in a supermarket for good brand access, it stars the voices of Charlie Sheen as talking dog/super spy Dex Dogtective and Hilary Duff as “Sunshine Goodness,” his cat-faced love interest. Conceived from the very beginning as an experiment in product branding and consumerism, this animated adventure features dozens of household brands and mascots such as Mr. The saga of Foodfight! is the story of its development, not its actual plot.
#B grade movies in theatres movie
You should buy this exciting movie starring Academy Award-winner Tom Hanks.” This is the kind of film you find in a pawn shop today in a hand-printed DVD case with a 40-year-old Tom Hanks’ face plastered on it. It’s incredibly dour, tackling its subject matter in the same blind, contextless way that Reefer Madness handled pot 50 years earlier, and in the process proving how little we’ve learned. Hanks plays the resident psycho of the group, who falls so deeply into his cleric character that he takes to wandering the streets of New York, murdering hoboes he mistakes for orcs. Its “research” is hilariously poor, painting a D&D-style roleplaying game as a life-devouring descent into the depths of Satanism and mental illness. Starring a 26-year-old Tom Hanks in his first feature film lead, six years before Big, this movie is the perfect encapsulation of the early 1980s D&D moral panic. The Giant Claw stands as a classic example of 1950s drive-in cheese.įile this one into the “before they were famous” category. The poor actors weren’t even aware of how incredibly lame the monster would be until they saw the completed film, and by then it was too late. This thing-this “antimatter space buzzard,” as it is eventually called-is so laughably stupid that it’s hard to believe they actually chose to feature it so extensively in the trailer rather than hiding it from sight. The Giant Claw is not the most captivating of the classic 1950s “giant monster running amok” movies, but it must be seen exclusively for the fact that it features the goofiest-looking movie monster of all time. Here are the 100 best B movies of all time: Gathered here is a collection of some of the most entertainingly cheap and endearingly bad movies ever made. Although John Carpenter’s Halloween is a great example of a superbly made “B movie” in terms of budget, any film fan has most likely seen it already. Whenever possible, I tried to keep the list to more obscure titles. If these 100 films are painful, they’re also equally fun.
They’re not on this list, because the meaning of “best” here is “most entertaining,” and I defy you to be entertained by Manos without its MST3k commentary or a pound of medical-grade marijuana. Instead, discerning film fans are able to simply appreciate them for what they are.īut what does “best” mean when we’re talking about films often famous for their shoddy construction? It certainly doesn’t mean “best-made.” It also doesn’t mean “worst-made,” or else films like Manos: The Hands of Fate and The Beast of Yucca Flats would make prominent appearances. To compare them with A movies in terms of resources and immersiveness isn’t a fair proposition.
For every high-budget “A movie” that commands significant promotion and funding from its studio, there are piles of B movies that scratch and claw their way into existence without the benefit of things like “a budget” or “a script” in some cases. Not every film can be the Citizen Kane of its day.
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